Myke's 'blob.

Yesterday I hung out with an old friend I haven't seen in about 2 years. Realized I've had two+ complete life-changes in that time.

Bumped into someone I haven't seen in about 8 or 9 months today... was briefly awkward but then I realized friendly people are just being friendly.

Driving home I heard Refused from a car next to me on Lyon Street... Talk about obscure and random.

Amongst dozens of others, I met a woman my age at Bluesfest, it was a brief encounter, but even at a concert for a few minutes we had a lot to talk about. It was neat. (Don't get any ideas, she's a mother, engaged and preggers.)

Speaking of Bluesfest, apparently they've found & read my 'blob here, and took some action to inhibit me (specifically) from getting any access or photos today. Oh well, at least it's over - and I know they've heard me..!

Buying gas before I got home, I encountered a fellow Honda Element owner; we chatted for 20 minutes... his is a year older than mine (mine's a 2005) but he's got over 270000 kilometers on it - double what I've got - and it looks to be in far better shape than mine. No problems with it at all he said. "It'll go to 400!"

How have people touched you recently?

I whine a lot about Ottawa being the armpit of Canada, bypassed by bigger bands travelling the 401 between Montréal and Toronto... usually stopping in Kingston - but rarely coming up here. And in recent years, we've had quite the drought of concerts; my favourite venue, Barrymore's, has pretty much converted to a dance-hall, Capital Music Hall still sucks - and rarely has good/big gigs, Zaphods and LiveLounge are fun and intimate, but either sell out too quick or you're really sardined in there. Not to knock the local/small/Cancon acts that do come to town, but Ottawa's had it pretty bad for a couple of years.

... Thus it's big & exciting when the Bluesfest roster rolls around, especially now that it's only vaguely constrained to the actual blues, you end up getting to see just about any type of act: rap, country, electronic, dance, metal, prog.rock... it runs the gamut, for 2 weeks!

This year, when the major acts were announced, I was just about ready to plunk down 250 of my hard-earned dollars... but I wanted to check one thing first: The photography policy.

Okay, this looks sane: personal photography is permitted, no rules banning SLRs, no tripods allowed (okay, why would you anyway?), no rules banning monopods. Restrictions are announced by the MCs before the shows.

Pretty reasonable. Let's do it!

Fast-forward to last week...

I got some great shots of Dream Theater, Metric, Lights, and even Rush!

But that's where the trouble started.

See, despite having legit tickets for every night, a friend of mine whom I've been giving photography tutorials to has a few All Access passes. So not only am I getting great shots from all sorts of bizarre locations on the grounds, I'm also pretty impervious to security and their whims - not that it'd been a problem anyway.

Until Rush.

See, I figured I'd take advantage of my special access and setup a time-lapse capture, using a wide-angle lens from about a 12' perch. Have a look:

Rush TimeLapse from Myke on Vimeo.

You'll notice the video ends somewhat abruptly. It turns out some maniac "band security" person started to haul down my camera by it's corded remote cable! Then he proceeded to get into an argument with my friend about what constitutes "professional photography" and what not. Word on the street has it that "band security" went through the crowd and attempted to seize other people's cameras & memory cards.

Okay - that sucks; aside from bad manners and some serious disrespect for people's gear - it's understandable, but that's if someone had announced that no photography was allowed. Thing is, there was no MC announcement before the Rush show.

Next event at Bluesfest - new photography policy! No cameras with detachable lenses!

Wait. What?

Bluesfest updated the website (and managed to actually break the page), and Tweeted saying "see website for more details" about the new policy... which has no real details, just that vague new rule. Add to this policy is the bit where the Bluefest site rotates through user-submitted content via their Flickr group, where they encourage people to post their Bluesfest photos...

Here's the thing, people are still allowed cameras - if they have media passes. I'd decided not to get those since I'm not a) media, b) shooting pro, c) trying to get in for free, d) interested in front-of-house photos, e) interested in getting kicked out after 3 songs. Also, last year they let any yahoo get a media pass; there were people up there with junk P&S cameras snapping away... It was a bit of a joke. This year it was clear they were only allowing select people, very few of them, and requests were due quite a ways in advance of the event (IIRC about 30+ days).

"Okay Myke, so don't go shooting. Just enjoy the music."

Well after a decade of shooting concerts, I've gotten pretty good at enjoying doing both thanks. And that's not really the point. I basically feel like we've been baited & switched. If it wasn't for the All-Access passes I've been getting, I'd be reconsidering attending.

As it is, I'm seriously wondering if I'm going to go next year... probably won't buy the full pack of tickets.

And I'm not the only one upset about it. Look at this thread that got everyone fired up about it in the local Flickr chapter, and this guy thinks it's pretty Klassy too.

I'd wandered over the the media desk, but they had no info or details and couldn't even tell me if I could get media access, especially since I'm not representing any media orgs. ('course I could always argue that Apt613 publishes my stuff

But I'm not happy about it at all. Even more so since security's enforcement is almost nil at best. There's still plenty of people wandering around with SLRs and no media passes - I know, I'm checking & asking. (Random tangent: I approached one guy who was accredited for Le Droit, and he actually knew my name... I wonder why.)

... still planning on shooting this weekend though, but I'll have to depend on my Double-Dot All-Access pass for armor.

Some other Bluesfest fails:
- motorcycle policy change
- Barney Danson Theater tickets... never know when those events are going to cost extra, till you get to the door.
- Poor/little on-the-day location maps
- lousy website (iframes? 1999 called, they want their Netscape Communicator Gold back)
- website outages (after FavQuest told me they wouldn't use Server North because they'd had issues with providers before. Okay! Enjoy your Amazon EC2!)

If you've been following me on Twitter, you'd've caught a bunch of whining yesterday about working in the 44 degree weather... It's actually a super cool job: Shoot stills for promotional and Behind-The-Scenes material for a feature-length movie. Production schedule is about 17 12-hour days for the next couple weeks, there's a (very) real budget & financing too - these guys are pros. I'm just really happy/proud that they want me to do their still-photography!

Give it a couple weeks and I'll be on IMDB - not just with this production, but one other I worked on back in the winter too...

End brag.

EDIT 20100723: We've wrapped shooting, and here's an article from a local paper.

Apple's new iOS 4 is available for iPhone 3G, 3GS, 4 and iPod Touch G2 and G3... but not for the original iPhone or Touch.

Okay, so what?

Well, as developers update their apps to work with the new OS, the dead-ended devices will slowly lose their ability to run updated software. I'm my case, this is actually going to be a huge problem because I sync both my iPhone 3GS (with iOS 4) and my iPod Touch G1 (running iPhone OS 3.1.3) to the same iTunes instance on my computer.

iTunes or the iPhone will compel software updates as time goes by... and because iTunes centrally manages the apps, it'll slowly invalidate everything from running on the Touch - eventually it'll only run the base apps that came with OS 3.1.3 and none of the 3rd party stuff.

Kinda sucks.

Not sure what I'm going to do about it, other than maybe using one of my other Macs (Mini? Laptop?) for syncing my Touch, but I'll lose podcast-synchronization and I'll have to link the music libraries - it'll be a serious pain the butt.

Any ideas? (Other than getting rid of some perfectly good hardware.)

No? Really!? That's too bad!

But it's really easy to check out, just head over to UnderExposure.ca and enjoy.

UnderExposure.ca is a photoblog I curate and submit to with 4 other photographers, we strive to keep the content interesting and good... I use it as a way to push myself to always be out snapping.

There's a new photo every day, so maybe you should set it as your home page, or at least visit it a lot... Also don't forget to click Details in the upper right corner to see a little description or story about each photo.
If you missed out on any of the past 980+ pictures, just click on the left-half of the image to browse back.

Recent Archives

_{PS: We get ~85000 hits a month (!), but less than one comment a month...}

A Slideshow.

I posted a video to the Server North Status 'Blog, please check it out.

I actually felt like things might actually be okay again...

The other day, Jessrawk tapped me to help her fill-in for 2 hours after her regular radio show on Carleton U's CKCU FM... How could I say no? This is almost as big a dream/bucket-list item as working in a record store!

Programmin' the Rock in studio.

Since Jess and The Staples usually do an hour-long thematic show, it was decided that she and I would basically have a play-off, where we literally decide what to play next based on whatever the other person was playing RIGHT NOW. No pressure.
We started with a set of 4, (which really was dueling banjos!) but then I realized it meant I'd always be following her lead, so we switched to 5-song sets. What impresses me most, is that even with all my loud/heavy/angry music, we pulled off mostly Cancon.

Playlist

Sadly this is far from a regular gig, but I had a lot of fun and would love to do it again.
_{(Thanks to Deejay Erik for the photo)}

Swiped from RobertBenson.com